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Transformation of the Hagia Sophia Mosque

In addition to turning symbolic structures in the conquered lands into mosques, Muslims pay attention to certain rules and issues while making this transformation, and they do it within the framework of respect. Let's examine this transformation ethic with architect Tufan Okul through the transformation of the Byzantine Hagia Sophia into the Ottoman Hagia Sophia.

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Transformation of the Hagia Sophia Mosque

The adventure of Hagia Sophia after the conquest

When Fatih conquered Istanbul, he saw Hagia Sophia in a neglected and miserable state due to the financial difficulties of Byzantium. He immediately began to strive for the cleaning and repair of Hagia Sophia and its transformation into a mosque as a place of worship.

After these first arrangements and repairs, Fatih turned Hagia Sophia into a mosque and had the first minaret built on semi-domes. During the repair in 1574, this minaret was removed from Hagia Sophia.

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Transformation of the Hagia Sophia Mosque

Contribution of Mimar Sinan to Hagia Sophia

The most important contributions to Hagia Sophia were made by Mimar Sinan. Sinan repaired the minarets of Hagia Sophia and, in addition, added buttresses to the structure, which was in danger of collapsing due to the earthquakes that shook the Istanbul area. The fact that Hagia Sophia and its strengthened structure have reached today is partly because of the fine touches of Mimar Sinan to the mosque.

The Chief Architect did not only limit himself to changes in the building itself, but also removed the ugly buildings, slums, and ruins surrounding it, cleaned the courtyard, and opened a wide square, which highlighted Hagia Sophia as a symbolic element.

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Transformation of the Hagia Sophia Mosque

Like it can be seen in Hagia Sophia too, the Ottoman civilization makes transformations by respecting the past of the structures in the places it conquered. It prioritizes development by reconstruction and repair, not transformation by destruction. Unfortunately, the same sensitivity is not shown in Islamic works in European countries.

Numerous works of symbolic importance in the Balkans and Europe, which can shed light on the period in terms of architecture, undergo an intense transformation until the traces of the original are incomprehensible.